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WASHINGTON, DC / Slate Magazine / February 24, 2009
Finding your own metaphor for deathBy Meghan O'RourkeUpdated Tuesday, Feb. 24, 2009, at 7:11 AM ET
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From: Meghan O'Rourke
Subject: The Long Goodbye
Posted Monday, Feb. 16, 2009, at 6:02 PM ET
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The other morning I looked at my BlackBerry and saw an e-mail from my mother. At last! I thought. I've missed her so much. Then I caught myself. The e-mail couldn't be from my mother. My mother died a month ago.
The e-mail was from a publicist with the same first name: Barbara. The name was all that had showed up on the screen.
My mother died of metastatic colorectal cancer sometime before 3 p.m. on Christmas Day. I can't say the exact time, because none of us thought to look at a clock for some time after she stopped breathing. She was in a hospital bed in the living room of my parents' house (now my father's house) in Connecticut with my father, my two younger brothers, and me. She had been unconscious for five days. She opened her eyes only when we moved her, which caused her extreme pain, and so we began to move her less and less, despite cautions from the hospice nurses about bedsores.
For several weeks before her death, my mother had been experiencing some confusion due to ammonia building up in her brain as her liver began to fail. And yet, irrationally, I am confident my mother knew what day it was when she died. I believe she knew we were around her. And I believe she chose to die when she did. Christmas was her favorite day of the year; she loved the morning ritual of walking the dogs, making coffee as we all waited impatiently for her to be ready, then slowly opening presents, drawing the gift-giving out for hours. This year, she couldn't walk the dogs or make coffee, but her bed was in the room where our tree was, and as we opened presents that morning, she made a madrigal of quiet sounds, as if to indicate that she was with us.
Since my mother's death, I have been in grief. I walk down the street; I answer my phone; I brush my hair; I manage, at times, to look like a normal person, but I don't feel normal. I am not surprised to find that it is a lonely life: After all, the person who brought me into the world is gone. But it is more than that. I feel not just that I am but that the world around me is deeply unprepared to deal with grief. Nearly every day I get e-mails from people who write: "I hope you're doing well." It's a kind sentiment, and yet sometimes it angers me. I am not OK. Nor do I find much relief in the well-meant refrain that at least my mother is "no longer suffering." Mainly, I feel one thing: My mother is dead, and I want her back. I really want her back—sometimes so intensely that I don't even want to heal. At least, not yet.
Nothing about the past losses I have experienced prepared me for the loss of my mother. Even knowing that she would die did not prepare me in the least. A mother, after all, is your entry into the world. She is the shell in which you divide and become a life. Waking up in a world without her is like waking up in a world without sky: unimaginable. What makes it worse is that my mother was young: 55. The loss I feel stems partly from feeling robbed of 20 more years with her I'd always imagined having.
I say this knowing it sounds melodramatic. This is part of the complexity of grief: A piece of you recognizes it is an extreme state, an altered state, yet a large part of you is entirely subject to its demands. I am aware that I am one of the lucky ones. I am an adult. My mother had a good life. We had insurance that allowed us to treat her cancer and to keep her as comfortable as possible before she died. And in the past year, I got to know my mother as never before. I went with her to the hospital and bought her lunch while she had chemotherapy, searching for juices that wouldn't sting the sores in her mouth. We went to a spiritual doctor who made her sing and passed crystals over her body. We shopped for new clothes together, standing frankly in our underwear in the changing room after years of being shyly polite with our bodies. I crawled into bed with her and stroked her hair when she cried in frustration that she couldn't go to work. I grew to love my mother in ways I never had. Some of the new intimacy came from finding myself in a caretaking role where, before, I had been the one taken care of. But much of it came from being forced into openness by our sense that time was passing. Every time we had a cup of coffee together (when she was well enough to drink coffee), I thought, against my will: This could be the last time I have coffee with my mother.
Grief is common, as Hamlet's mother Gertrude brusquely reminds him. We know it exists in our midst. But I am suddenly aware of how difficult it is for us to confront it. And to the degree that we do want to confront it, we do so in the form of self-help: We want to heal our grief. We want to achieve an emotional recovery. We want our grief to be teleological, and we've assigned it five tidy stages: denial, anger, bargaining, depression, and acceptance. Yet as we've come to frame grief as a psychological process, we've also made it more private. Many Americans don't mourn in public anymore—we don't wear black, we don't beat our chests and wail. We may—I have done it—weep and rail privately, in the middle of the night. But we don't have the rituals of public mourning around which the individual experience of grief were once constellated.
And in the weeks since my mother died, I have felt acutely the lack of these rituals. I was not prepared for how hard I would find it to re-enter the slipstream of contemporary life, our world of constant connectivity and immediacy, so ill-suited to reflection. I envy my Jewish friends the ritual of saying kaddish—a ritual that seems perfectly conceived, with its built-in support group and its ceremonious designation of time each day devoted to remembering the lost person. So I began wondering: What does it mean to grieve in a culture that—for many of us, at least—has few ceremonies for observing it? What is it actually like to grieve? In a series of pieces over the next few weeks, I'll delve into these questions and also look at the literature of grieving, from memoirs to medical texts. I'll be doing so from an intellectual perspective, but also from a personal one: I want to write about grief from the inside out. I will be writing about my grief, of course, and I don't pretend that it is universal. But I hope these pieces will reflect something about the paradox of loss, with its monumental sublimity and microscopic intimacy.
If you have a story or thought about grieving you'd like to share, please e-mail me at morourkexx@gmail.com.
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From: Meghan O'Rourke
Subject: Finding a Metaphor for Your Loss
Posted Tuesday, Feb. 24, 2009, at 7:11 AM ET
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I am the indoctrinated child of two lapsed Irish Catholics. Which is to say: I am not religious. And until my mother grew ill, I might not have described myself as deeply spiritual. I used to find it infuriating when people offered up the—to me—empty consolation that whatever happened, she "will always be there with you."
But when my mother died, I found that I did not believe that she was gone. She took one slow, rattling breath; then, 30 seconds later, another; then she opened her eyes and looked at us, and took a last. As she exhaled, her face settled into repose. Her body grew utterly still, and yet she seemed present. I felt she had simply been transferred into another substance; what substance, where it might be located, I wasn't quite sure.
I went outside onto my parents' porch without putting my coat on. The limp winter sun sparkled off the frozen snow on the lawn. "Please take good care of my mother," I said to the air. I addressed the fir tree she loved and the wind moving in it. "Please keep her safe for me."
This is what a friend of mine—let's call her Rose—calls "finding a metaphor." I was visiting her a few weeks ago in California; we stayed up late, drinking lemon-ginger tea and talking about the difficulty of grieving, its odd jags of ecstasy and pain. Her father died several years ago, and it was easy to speak with her: She was in what more than one acquaintance who's lost a parent has now referred to as "the club." It's not a club any of us wished to join, but I, for one, am glad it exists. It makes mourning less lonely. I told Rose how I envied my Jewish friends the reassuring ritual of saying kaddish. She talked about the hodge-podge of traditions she had embraced in the midst of her grief. And then she asked me, "Have you found a metaphor?"
"A metaphor?"
"Have you found your metaphor for where your mother is?"
I knew immediately what Rose meant. I had. It was the sky—the wind. (The cynic in me cringes on rereading this. But, in fact, it's how I feel.) When I got home to Brooklyn, I asked one of my mother's friends whether she had a metaphor for where my mother was. She unhesitatingly answered: "The water. The ocean."
The idea that my mother might be somewhere rather than nowhere is one that's hard for the skeptical empiricist in me to swallow. When my grandfather died last September, he seemed to me merely—gone. On a safari in South Africa a few weeks later, I saw two female lions kill a zebra. The zebra struggled for three or four long minutes; as soon as he stopped, his body seemed to be only flesh. (When I got home the next week, I found out that my mother had learned that same day that her cancer had returned. It spooked me.)
But I never felt my mother leave the world.
At times I simply feel she's just on a long trip—and am jolted to realize it's one she's not coming back from. I'm reminded of an untitled poem I love by Franz Wright, a contemporary American poet, which has new meaning. It reads, in full:
I basked in you;
I loved you, helplessly, with a boundless tongue-tied love.
And death doesn't prevent me from loving you.
Besides,
in my opinion you aren't dead.
(I know dead people, and you are not dead.)Sometimes I recite this to myself as I walk around.
At lunch yesterday, as velvety snow coated the narrow Brooklyn street, I attempted to talk about this haunted feeling with a friend whose son died a few years ago. She told me that she, too, feels that her son is with her. They have conversations. She's an intellectually exacting person, and she told me that she had sometimes wondered about how to conceptualize her—well, let's call it a persistent intuition. A psychiatrist reframed it for her: He reminded her that the sensation isn't merely an empty notion. The people we most love do become a physical part of us, ingrained in our synapses, in the pathways where memories are created.
That's a kind of comfort. But I confess I felt a sudden resistance of the therapist's view. The truth is, I need to experience my mother's presence in the world around me and not just in my head. Every now and then, I see a tree shift in the wind and its bend has, to my eye, a distinctly maternal cast. For me, my metaphor is—as all good metaphors ought to be—a persuasive transformation. In these moments, I do not say to myself that my mother is like the wind; I think she is the wind. I feel her: there, and there. One sad day, I actually sat up in shock when I felt my mother come shake me out of a pervasive fearfulness that was making it hard for me to read or get on subways. Whether it was the ghostly flicker of my synapses, or an actual ghostly flicker of her spirit, I don't know. I'd be lying if I said I wasn't hoping it was the latter.
Meghan O'Rourke is Slate's culture critic and the author of
Halflife, a collection of poetry.
Illustration by Deanna StaffoRead source articleCopyright 2008 Washingtonpost.Newsweek Interactive Co. LLC